Kizomba is...

"An embrace means I don't feel threatened by you, I'm not afraid to be this close, I can relax, feel at home, feel protected and in the presence of someone who understands me. It is said that each time we embrace someone warmly, we gain an extra day of life."

A quote from Paul Coelho (one of my favorite authors) that describes for me what dancing kizomba is like.

Monday, July 22, 2019

Amabo Seattle Kizomba Festival Aug. 2-4, 2019

Exciting times once more - the 2nd edition of Amabo Seattle Kizomba Festival is on August 2 to 4, 2019.


The festivities begin on Friday Aug 2, 2019 with a Kizomba Fundamentals workshop taught by Frances Tee and JR Desire followed by the 1st Fly Friday Amabo Edition social from 10pm to 5am at the Century Ballroom.

Find out more about the Amabo Seattle Kizomba Festival and purchase your pass NOW!

  • Full Weekend Passes are available: Entry to all workshops and socials
  • Dinner Ticket for Saturday Feast
  • Party Pass: Entry to socials only
  • Night Pass: Entry to one social (available the day of the social)
Check out these pictures from last year's festival and don't miss out. 

Monday, July 8, 2019

DANCE and LEARN for JULY 2019

July happenings
July 5 - 1st First Fly Friday at the Century Ballroom with the drop-in beginner lesson ($16 includes dance) at 9:00 by Frances and Dance ($10) from 10:00p-1:30a with DJ Rolenn
July 7 - Kizomba Cafe at the Century Ballroom: Int/Advanced Workshop with Frances 12nn - 1pm and afternoon social with DJ Farenji from 1 - 3:30pm with DJ Farenji
July 21 - Urban Kiz Underground at Dance Underground with lesson 7-8pm and dance 8pm to 11pm ($12 includes lesson, $8 dance only)
July 27 - 4th Saturday Late Night Kizomba at the Century Ballroom 11pm - 1:30am with DJ Isaias (Cover $7)
WEEKLY CLASSES, PRACTICAS, BOOTCAMPS
* Monday Night Practica is back!!! from 7:30pm to 10:00pm - check out Kizomba Seattle on facebook for the event at Gas Works Park or 308 E. Republican St.
* Kizomba with Frances - please contact her for privates. Kizomba classes will be back in the Century Ballroom in the fall.
* Kizomba on Wednesdays at 7pm and 8pm in Salsa N Seattle with Mario with a weekly practica following.
* Tuesdays with JR and Emily at Suenos de Salsa 8:30pm followed by a Practica at 9:30pm
* Wednesday classes with Carmen and Dennis at Salsa con Todo at 7pm (check www.salsacontodo.com)
* Friday Dropin Kizomba at Salsa Con Todo 9pm followed by their weekly dance with DJ Wet ending at 2:00am

Kizomba Seattle Tshirt - 10 year anniversary!!

KIZOMBA SEATTLE 10 year Anniversary TSHIRT
Its that time folks. Our Kizomba Seattle group is turning 10 !!!

Please email kizombaseattle@gmail.com with your name and the Tshirt Size you want to order ($25). I'll reply back with your payment options once I reach 30+ orders. Thanks in advance!!
Mens sizes: S - 4XL Black V Neck
Women's Sizes: S - XL Black V Neck
Women's XS, 2XL Black Crew Neck
If you have your own shirt/pullover/jacket that you'd like to get screened, that's also possible. You just have to pay for the screen - let me know and I can give you pricing.
Please reach out is you have questions. THANKS!
email: kizombaseattle@gmail.com

Thursday, April 4, 2019

APRIL 2019 - Where to Dance and Learn

WHERE TO DANCE AND LEARN

April means spring has sprung. Time for cherry blossoms, warmer temperatures and longer days.

Here are more ways to celebrate and learn <3

April happenings

April 5 - 1st First Fly Friday with the drop-in beginner lesson ($16 includes dance) at 9:00 by Dennis and Dance ($10) from 10:00p-1:30a with DJ Farenji

April 6 - Suenos de Salsa with Dj Casanova 10pm - 3am (Cover $15) by K-THUGS

April 7 - Kizomba Cafe at the Century Ballroom: Int/Advanced Workshop with JR and Rina 12nn - 1pm and afternoon social with DJ Farenji from 1 - 3:30pm with DJ Farenji

April 13 - DANCE DAY at the Century Ballroom 9 dances for $10 from 11:30 to 4:30 and Kizomba from 1:45 to 2:15

April 20 - 3rd Saturday Late Night Kizomba 11pm - 1:30am with DJ Farenji (Cover $7)

April 21 - 3rd Sunday Urban Kiz from 7 - 11pm at Dance Underground

WEEKLY CLASSES, PRACTICAS, BOOTCAMPS

* [on HIATUS, check facebook page for updates] Monday Night Practica from 7:30pm to 10:00pm

* Kizomba privates Frances - contact her directly for privates.

* Kizomba on Wednesdays at 7pm and 8pm in Salsa N Seattle with Mario with a weekly practica following.

* Tuesdays with JR and Emily at Suenos de Salsa 8:30pm followed by a Practica at 9:30pm

* Wednesday classes with Carmen and Dennis at Salsa con Todo at 7pm (check www.salsacontodo.com)

* Friday Dropin Kizomba at Salsa Con Todo 9pm followed by their weekly dance with DJ Wet ending at 1:30am [except for 1st Fridays]

Sunday, March 3, 2019

MARCH 2019: Dances, Workshops, Classes

March is here and we're just that much closer to spring. There's pi day and St. Patrick's day; not to mention the days are getting longer so that means more sunshine!
Here are more ways to celebrate and learn <3

MARCH happenings

March 1 - 1st First Fly Friday with the drop-in beginner lesson ($16 includes dance) at 9:00 by Frances and Dance ($10) from 10:00p-1:30a with DJ Farenji and DJ Mojo
Its Century Ballroom's birthday weekend! 22 years strong. Come out and celebrate <3
March 2 - Workshops with Rina and Derrick from 2-5:30 pm at the Century Ballroom - Urban Kiz Connection and Musicality
March 2 - Urban Kiz social at Suenos de Salsa with DJ Mojo 10pm to 3am (ish ;) )
March 3 - Kizomba Cafe at the Century Ballroom: Int/Advanced Workshop with Rina and Derrick 12nn - 1pm and afternoon social with DJ Farenji from 1 - 3:30pm
March 16 - 3rd Saturday Late Night Kizomba 11pm - 1:30am with DJ Jim Renn (Cover $7)
March 16 - Urban Kiz Intensive and workshop with The Beard (Jeremiah Bears)
March 17 - 3rd Sunday Urban Kiz from 7 - 11pm at Dance Underground (https://www.facebook.com/events/2202004106713954/)

WEEKLY CLASSES, PRACTICAS, BOOTCAMPS

* Monday Night Practica from 7:30pm to 10:00pm [on HIATUS, check facebook page for updates]
* Kizomba privates Frances - contact her directly for privates.
* Kizomba on Wednesdays at 7pm and 8pm in Salsa N Seattle with Mario with a weekly practica following.
* Tuesdays with JR and Emily at Suenos de Salsa 8:30pm followed by a Practica at 9:30pm
* Wednesday classes with Carmen and Dennis at Salsa con Todo at 7pm (check www.salsacontodo.com)
* Friday Dropin Kizomba at Salsa Con Todo 9pm followed by their weekly dance with DJ Wet ending at 1:30am [except for 1st Fridays]

Friday, January 4, 2019

January 2019

2019 - a new year begins! Based on what some astrologists say, its a year for us to be more open, socialize more and extend our circle of friends. Well, that's what Kizomba Seattle is about: dancing, learning, socializing and becoming part of our community. Now that you're all rested from New Year's celebrations, here's what's in store for January:

Don't forget to add your events/classes to the www.hurryout.com calendar to reach others not on facebook.

January 4 - 1st First Fly Friday with the drop-in beginner lesson ($16 includes dance) at 9:00 by Frances and Dance ($10) from 10:00p-1:30a with DJ Isaias
January 6 - Kizomba Cafe begins in the main ballroom at the Century Ballroom: A monthly afternoon social with DJ Farenji which starts with an int/adv lesson by Frances from 12nn to 1pm and dance ($8) from 1 - 3:30pm
January 13 - Urban Kiz Social at Dance Underground with Lesson and Guided Practice ($12 includes Dance): 7:00pm - 8:00pm and Dance ($8) from 8:15pm - 11:00pm
January 16 - 3rd Saturday Late Night Kizomba 11pm - 1:30am with DJ Farenji (Cover $7)

WEEKLY CLASSES, PRACTICAS, BOOTCAMPS

* Monday Night Practica from 7:30pm to 10:00pm [Check Kizomba Seattle on facebook for the location ]
* Kizomba privates Frances - contact her directly for privates.
* Kizomba on Wednesdays at 7pm and 8pm in Salsa N Seattle with Mario with a weekly practica following.
* Tuesdays with JR and Emily at Suenos de Salsa 8:30pm followed by a Practica at 9:30pm
* Wednesday classes with Carmen and Dennis at Salsa con Todo at 7pm (check www.salsacontodo.com)
* Friday Dropin Kizomba at Salsa Con Todo 9pm followed by their weekly dance with DJ Wet ending at 1:30am [except for 1st Fridays]

Thursday, January 25, 2018

Afro Class with Samir Saturday 2/3 1:00 - 3:00pm

Guess who's back in town? 

Samir Bandoago will be offering an Afrobeats class on Saturday, Feb 3, 2018 to raise money for Botiminto

1:00 Register
1:15 Class Begins
2:45 Class Ends
3:00 chat/clear out/clean up

Cost: $20 before hand / $25 on the day of the workshops
REGISTER - 

Please Type Your Full Name


Don't forget to join us out dancing the night before for 1st Fly Friday Kizomba in the Century Ballroom! Beginner Dropin class starts at 9:00pm and the dance with DJ Farenj is from 10pm to 1:30am. 

WHAT IS AFRO?
We just dance to Afrobeats! Its a solo dance, no partner require. Just be willing to let loose and have fun and move to Afrobeats.

ABOUT BOTIMINTOBotiminto means for the sake of tomorrow in Bissa, the language spoken in Zigla-Koulpélé, a small village in Burkina-Faso. ​Botiminto aims to motivate and incentivize students, especially those in primary, elementary and high school, to see education as the most viable way out of poverty. Many students face obstacles in their daily lives that hinder their academic success, thus creating an environment for them to prosper and motivating them to succeed would be invaluable.


ABOUT CENTURY BALLROOM
The Century Ballroom was founded in 1997 to promote social dancing of all kinds. Their community of instructors, staff and clients welcome and encourage any and everyone to come out dancing. 

Monday, August 7, 2017

Criticism, Courtesy and Common Sense

Partner Social dancing for me is magical: I fell in love with it and even now, as I make a living through teaching dance and dancing (among other things) I am surprised at how many new things I learn about people, about teaching and about myself and I suspect this learning never really ends.

In the recent years, with the accessibility of services like youtube, the rise of social media as a channel for expression and the ease at which videos can be taken and shared in a public platform, criticism on these platforms has also grown. It has become more visible, more sharp and astringent, often times promoting conflict. This phenomenon has been quite an eye opening experience.

There are a variety of reasons for why people post something onto digital virtual space.  Some of it is out of a need to defend or proclaim a passion. Some of it is to share something beautiful. Some of it is to present the author as an expert. Some of it is to satisfy and urge about declaring who you are and what you stand for. Some of it is for marketing purposes, to attract people to an event or dancers who teach. Some of it is just to express.

I personally try to celebrate because I don't think people spend enough time doing that. Its so easy to lament and complain and find sympathy in my "plight" but I realize all that is doing is building up negativity and finding company in the negative space I walk into. So, some time ago, I decided that I would rather be celebrating, be grateful and be graceful in my virtual interactions because that is the kind of space I would like to be in. I'm not talking "kumbaya and we all agree": I'm talking we all treat each other with courtesy and respect our differences while we celebrate out similarities.

This blog is my take on criticism and how to flip some of the negativity around.

Let me first share two things:
1) I personally believe criticism IS productive when done appropriately (timing wise) with courtesy and respect.
2) A conversation or any discourse to gain empathy and understanding is practically impossible on social media: its best done face to face when you get to know people.

I am writing this article as a response to some things I have seen and heard about the impact of strong and sometimes hateful/negative criticism has on the online community. I also write as a teacher and community leader who has a voice that other people do listen to and take to heart. If you follow me on facebook or read my blogs, you know that I do not offer criticism online. I think that it is difficult to do in such a public forum because I have't figured out a way to ensure that everyone will receive it the way I intended.

Yet here I am writing about criticism to offer a different view: hopefully one that encourages one to take pause before writing down remarks that can be considered unkind, inflammatory and negative. Also, for the ones that are reading a thread, to also process what you read and hear and make decisions based on your own views and conclusions.

Why is it so hard to receive criticism and more importantly provide criticism with grace and respect?

Definition of Criticism:
  1. 1.
    the expression of disapproval of someone or something based on perceived faults or mistakes.
  2. 2.
    the analysis and judgment of the merits and faults of a literary or artistic work.

Take a look at the definition of criticism and what jumps out? Disapproval, faults, mistakes, judgement of merits and faults. Now look at the other words that you might have missed: expression, perceived, analysis. These words are not that negative and in fact, should give you pause (they did for me). It is with these words where the key to the definition becomes clear to me: criticism is NOT about the object of the criticism (the receiver of the criticism) but rather, it comes from the source of the criticism: the critic. It is the critic's expression, the critic's analysis and judge based on what they perceive.

One of the things that I admire and respect in people is the ability to consistently give criticism with generosity and empathy to the people or group that is being criticized. These individuals model what I aspire to every time I hear them give criticism. They are comfortable in their experiences and always courteous and kind in their delivery of critique. This to me is a thing of beauty as this space (criticism) is so biased toward negativity.

I think this is a skill that takes practice along with an examination of your own values and beliefs as a critic and as someone that receives criticism. Taking time to be courteous and respectful lends itself to better interactions no matter what the conversation or feedback. Disagreement or having a very different view or challenging someone does not have to be about being angry or hateful.

And so here are things to ponder and perhaps practice:

ITS ALL ABOUT CONTEXT
How you receive feedback is implicitly affected by the context that you receive it in. There are so many factors here that it almost impossible to account for them all. If you are already in that negative space tho, then that is your context.

Also - do you know the context of the person giving the critique? Most of us never consider this, especially online when you interactions with others are limited by those virtual airways. Its even harder to truly understand context in the virtual world.

Meeting face to face and getting to know someone offline is the best way to get to know someone's context.

ASSUME GOOD INTENTIONS
Assume good intentions unless you have data otherwise.

I know this one is hard because some people, well, they just don't have good intentions right? If that's how you feel, then take a pause and breather before you write or say anything,

SPEAK FROM "I"
Blanket, sweeping statements tend to offend: especially if your views don't represent all. I personally don't want to represent all, that's a LOT of weight to carry. I have a hard enough time managing myself.

I know part of my journey has been to learn about my own biases and how much they color and shape my views on things and people. I am a teacher and that for me holds some responsibility for always sharing from an "I" perspective instead of "we".  I speak for me and not for others.

THE LOUDEST VOICE DOESN'T REPRESENT EVERYONE
When you're in a group page, please remember: that one person doesn't represent everyone. You can choose to agree with this voice and say it represents you but don't even think for a second that it means the everyone else feels the same way. To test it out in a group, just check the number of members in a group and the number of people that interact with the message, usually they numbers are not aligned: there's always more members.

MAKE UP YOUR OWN MIND
Don't just take someone else's word on the matter. People speak their truths and if you're lucky, they have the wherewithal to acknowledge what they don't know but usually, who wants to publicly talk about what they don't know?

DISAGREEMENT is NOT EQUAL TO "YOU'RE A BAD PERSON"
Social dancing, at the end of the day, is about enjoying the expression of a movement you shared with another to song. That's a personal and subjective feeling that only you and your partner can talk about with certainty. Criticism that's more about right and wrong becomes less of a critique and more like fact checking. Everyone is entitled to their own opinion and everyone is entitles to agree or disagree.

I have met many people that treat disagreement as "you're wrong" and in doing so, diminish and mistake what I have to share which is simply a different point of view.

EVERY STORY HAS AT LEAST 2 SIDES
When we're talking about people, EVERY story has at least 2 sides. In my experience, this has always been true. Even when I and also part of the experience, different people retell the same story, through their own lens. Personal biases do come out even when you watch a video or read a transcript. I do attempt every so often to represent all sides but that is a very tough thing to do.

COURTESY AND COMMON SENSE
In the end this is my guiding principle and one that has served me well so far. There are a few other common pieces of advice that I think call into this category:
  • If you have nothing good to say, just don't say anything (this is ofcourse assuming your goal is to get along). 
  • Put yourself in the other person's shoes. 
  • Ask yourself how you would feel if you received the words you are about to deliver?
  • Never assume that you know what the other side is thinking
  • Kindness is like money in the bank
  • Be open to possibilities
That's it. Feel free to share, comment and tell me what you think. 

Friday, August 4, 2017

August is here - and here's what's up!!!

August my friends... can you believe it?

One more month where there's warmth and light past 9:00pm and arguably the best time to be in Seattle. SO, with that in mind, here's what we have lined up in Seattle for August. Feel free to post comments to correct and update or send a message.

Don't forget to add your events/classes to the www.hurryout.com calendar to reach others not on facebook.

August 4 - First Fly Friday at West Hall Dance Beginner Lesson at 9:00 and dance from 10:00p-1:30a Intro Dance Lesson is $16 (dance included) and Dance only $10 with DJ Farenji in the booth
August 10 - 2nd Thursday at West Hall 9:30 - 1:00a (Cover $9) with DJ Jay Senior
August 19 - 3rd Saturday Late Night at West Hall with DJ Isaias
August 24 - 4th Thursday at West Hall 9:30 - 1:00a (Cover $9) with DJ Jay Senior

OTHER EVENTS
August 5 Kizomba v. Urban: Setting the Record Straight with Eddy & Enah at Dance Underground 11 am to 6pm ($90/$110)
August 5 Ewe! at Salsa N Seattle 10:00pm to 3:00am Cover $15 with DJ Javi and DJ Mojo
August 6 Señor OneSong's Summer Soirée from 3:00 pm - 11:00 pm at Chez Ashok (see the facebook event link the comments)

WEEKLY CLASSES, PRACTICAS, BOOTCAMPS
* Weekly Practica on Mondays Please check the facebook group page for location and time. Currently (August) will be at Gasworks Park.
* Weekly Practica on Tuesdays FoKiz at the Belltown Ballet Studio starting at 8:00pm (msg Nephew or FB @KizombaSOUL)
* Kizomba 2 with Frances & Jay on Thursdays August 8:00 - 9:00pm [4 weeks starting Aug 10]
* Kizomba on Wednesdays at 7pm and 8pm in Salsa N Seattle with Mario and Genia with a weekly practica following.

Tuesday, April 4, 2017

Spring is here and I didn't want to post something on April Fool's just in case. The days are getting longer and there's more to see in Seattle along with the usual Kizomba goodness. Here's what we have lined up in Seattle for April - feel free to post comments to correct and update or send a message.

Don't forget to add your events/classes to the www.hurryout.com calendar to reach others not on facebook.

SOCIALS

  • April 1 - Suburban Kiz (1st Saturday) in Green Lake Om Culture 8pm to 12Midnight Beginner Lesson at 8pm with Neph and DJ's Vary (Cover $7)
  • April 7 - First Fly Friday (Late Night for April) at West Hall Dance 11p-2a (Cover $7) with DJ Emanuel [NOTE: This is a different format from the normal 1st Friday because of other events at the Century Ballroom.]
  • April 8 - Ewe! at Salsan N Seattle Class at 10:15pm Dance from 11:00pm to 3:30am $15 Dance Only, Prepay $20 Class and Dance, $25 Class and Party *day off party* Dj Galo and DJ Farenju
  • April 13 - 2nd Thursday at West Hall 9:30 - 1:00a (Cover $9) with DJ Jay
  • April 14 - Jajao: A Kizomba Soiree at Wonder Care & Sports Bar (Cover $7) Lesson at 9, Dance until 1 am (msg Nephew or FB @KizombaSOUL)
  • April 15 - 3rd Saturday Late Night at West Hall 11p - 1:30a (Cover $7, $13 joint cover with All Vinyl Salsa in Main Ballroom) with DJ Nicholas Bass 
  • April 22 - LoveKiz: The Kizomba Night at Salsa Con Todo (SCT) (Social Cover $7) Lesson at 9, Dance until 1 am (msg Nephew or FB @KizombaSOUL)
  • April 27 - 4th Thursday at West Hall 9:30 - 1:00a (Cover $9) with DJ Jay


WEEKLY CLASSES, PRACTICAS, BOOTCAMP

  • Weekly Practica on Mondays Please check the facebook group page for location and time. For the location for April please contact Vicente Spencer - message him on facebook. 
  • NOTE Special Practica on Monday April 10 Culture and History presentation from 7:30pm - 10pm at Prescott Aparments
  • Weekly Practica on Tuesdays FoKiz at the Belltown Ballet Studio starting at 9:15pm - 11:30, $5 cover (msg Nephew or FB @KizombaSOUL)
  • Kizomba Foundations with Frances & Jay on Thursdays Apr 6 thru April 27 from 8:00 - 9:30pm (3 sessions, skipping 4/20) Learn about Semba, Afro house, Tarraxa and Urban Kiz
  • Kizomba on Wednesdays at 7pm and 8pm in Salsa N Seattle with Mario and Genia with a weekly practica following. 
  • Kizomba Semi-Privates with Dennis (contact Dennis Richards directly)
  • Kizomba Soul Classes Tuesday and Sunday evenings (More info, msg Nephew or FB @KizombaSOUL)

OTHER EVENTS

  • April 8 Semba Workshops with Eddy Vents 2-6pm contact dance@eddyvents.com
  • April 22 (part of Mist Connections from April 21 - 23) Frances will be teaching Kizomba at 4pm as part of this festival. For more info, contact Erin Vance

Monday, February 6, 2017

Starting a Dance Community: Stage 3 - Continuity

To read the previous stages, use the links below:
Stage 1
Stage 2

Now that things got started and some momentum is building up, its time to think about continuity. If one thing is constant, its that changes always happen. Of course there's the other side of change and I'll use a qoute from Jean -Baptiste Alphonse Karr: "plus ça change, plus c'est la même chose": which is basically that "the more things change, the more they stay the same".

And so, this is the stage where you also decide how much more you want to do and be involved in because if you've succeeded in stage two, then there are many others who will get involved in the community you started and help it continue. Staying active is an option, stepping out is an option, its really up to you and how you see your role in the community over time.

STAGE 3: Continuity
  • How to Sustain the Dance
  • What is Your Role
First, I wanted to share something inevitable: as things start to grow, the following will always happen:
  • There will be more teachers.
  • There will be more parties.
  • Other people will come in thinking they have something better to offer.
  • Other people will ride off the successes that have been built.
  • You, as the person that started things, are no longer needed to start things.
  • Someone will think that they had the original idea for something that you might have already done.
  • Someone will think that they can "build" over what is already there.
  • Lead/Follow balance will be changing
  • Recruiting dancers is a never ending activity. 
One thing is for sure, try not to get too attached to your own importance. I'm not saying this to diminish the efforts you have put in, rather to caution that group memory is short. As a community grows and different people join, what you know and what the newer members know can be quite different. There are generations of dancers that become the face of the community and each group will have characteristic of its own as they add to the community and that force of change is basically something you cannot control.

HOW TO SUSTAIN THE DANCE
Just makes sure that STAGE TWO keeps going: classes, places to dance and hear the music are readily available.

One thing that is helpful is to develop a way to keep new people coming in. Word of mouth is most effective and partnering with other organizations helps as well. The people that fall in love with the dance are really the best ambassadors.

Continuing to showcase the dance and music in different venues will help to reach other people that you may not normally reach. If you can be creative about where to showcase the dance, then you'll be able to reach more people and that is always a good thing.

Highlighting your local DJs and instructors is also a must because these are the people that form the framework for how people fall in love with the dance.

I think dancers tend to want to bring other dancers into a new dance they fall in love with. This is certainly one way to build numbers but its not the only way. Make sure to recruit non-dancers too because cannibalizing other dance groups means that you are limited by their size. I think Kizomba on its own has a lot to offer people but its the community itself that becomes the best add for growth; when people are having fun and making strong connections, other people wnat in on that too.

WHAT'S YOUR ROLE? VISION?
When I started down this road, I was student, teacher, advertiser, writer and event promoter all at once. The last thing I thought about was being a community leader. That came later and perhaps because of my own nature, it was not something I was always comfortable with at first.

Everyone is different so you may be able to think about who and what you represent from the start. Its important to think about it so that there is some purpose in what you do. I think doing thinks with a lack of purpose doesn't help.

I had more of a vision: I wanted to create an environment that would be welcoming and cooperative from the start. One that encourages learning and sharing and allows for many people to share and contribute their passions for the dance and culture. I was already a member of other dance communities and these were the two more important characteristics that kept me involved in them.  I also had a goal for Seattle to be known as one of the best places to come to for Kizomba.

I do not think that what is currently here is all because of me - its not. There are all the people and personalities that have contributed in ebbs and flows. I do think that who you are and what you wish for the community does leave a mark whether you want it to or not. So your intentions, whether they are planned or just happenstance do make a difference.

As the community grows, you get to decide how to grow with it and how involved you want to be. For myself, I'm still trying to figure this part out while I continue to teach, go out dancing, and socialize. One thing I am enjoying is the fruit of everyone's labor: more Kizomba dancing in Seattle.

FINAL THANKS
I have been lucky to have met some really great souls along the way who have become friends and mentors. I am really excited to see others progress and grow as DJs, event promoters, dancers and teachers. The very first monthly social that I started is still running and the energy of that night continues to be the warmest, more genuine dance energies I continue to enjoy. Don't forget to stop and appreciate what you have as your community grows.


February 2017 Kizomba Dancing in Seattle

Here are the events for February: 
Feb 3 - First Fly Friday at West Hall with Drop in lesson at 9 Dance 10p-1:30a (Cover $16, Dance Only $10) with DJ Emanuel Sakaita Nasser and DJ Farenji
Feb 4 - Ewe at Salsa N Seattle Dance Studio with drop in lesson with Eddy Vents 9-10pm and then 10pm - 3am with Dj Pingusso, DJ Farenji and DJ Guelas (Cover $25, $15 Dance Only)
Feb 9 - 2nd Thursday at West Hall 9:30 - 1:00a (Cover $9) with DJ Jay
Feb 11 - Kizomba room at the Hugs and Kizzes MicroFusion Practica and Social at ExitSpace 8pm to 12am (Cover $7) DJs Nicholas Bass and Farenji
Feb 11 - 2nd Saturday at 9pm, Lake Chad Cafe (msg Nephew or FB @KizombaSOUL) 
Feb 18 - 3rd Saturday Late Night at West Hall 11p - 1:30a (Cover $7, $13 joint cover with All Vinyl Salsa in Main Ballroom) with DJ Isaias Chamorro 
**Feb 23 - NO 4th Thursday this month.
Feb 25 - 4th Saturday at 9pm, Lake Chad Cafe (msg Nephew or FB @KizombaSOUL)

WEEKLY CLASSES, PRACTICAS, BOOTCAMPS
* Weekly Practica on Mondays Please check the facebook group page for location and time. The location for Feb. and Mar. is in Renton (contact Vicente Spencer)
* Kizomba 1 with Frances & Jay on Thursdays Feb 12 thru Feb Feb 9 from 8:00 - 9:00pm; Kizomba 2 will be the next session starting Feb 23
* Kizomba on Wednesdays at 7pm and 8pm in Salsa N Seattle with Mario and Genia with a weekly practica following. 
* Kizomba Semi-Privates with Dennis (contact Dennis Richards directly)
* Weekly Kizomba class, Tuesday evenings (msg Nephew or FB @KizombaSOUL) 

Saturday, October 29, 2016

Starting a Dance Community: Stage 2 - Spreading the Love

This stage is where the action happens and is my favorite stage because here is where the rubber meets the road and lots of things happen. This is the stage where you meet lots of people, coordinate events, and spread the word about something you love. [Just in case, here's the Overview and Stage One.]

STAGE 2: Spreading the Love 
  • Education: Workshops or Series Classes or Small Group Practise for learning
  • Dance opportunities outside of class 
  • Demonstrations: showing off the dance and music
  • A Blog, a Facebook Page, a Video Channel, a Podcast
In order to create and sustain community, people need a way to learn, to practise, to dance and socialize. In addition, there's still continuing outreach to demonstrate the dance and show off the music.

EDUCATION
Not only for yourself but also for the people you're going to hook or have hooked for the dance. There are many ways to do this:
  • Find a local expert
  • Find a small group of people to learn with
  • Find resource online
  • Find other experts to talk to and learn from [fly them in OR fly to see them]
I did all of the above when I started Kizomba. In this day and age, I believe you can also work with people over Skype or a similar type of application that allows you to see and hear each other in real time.

After you educate yourself, there are 2 things to start shooting for:
1) Demonstrations the dance
2) Teaching the dance

They both go hand in hand because in order for the scene to grow, people have to know about the dance and someone has to offer to teach it.

Finding an expert and mentor is also highly recommended. Its hard to start something new and having that guidance and sounding board is important so you don't loose your drive, or get discouraged or get thrown off course.

CLASSES
It helps to know what your own scene supports as far as class: drop-ins before a dance? regular classes weekly? Progressive classes? All of the above?

In Seattle for example, its the norm for dance studios to have a series of weekly classes anywhere from 4-6 weeks. Weekend workshops and congresses are other ways to teach. Drop-in lessons are also offered before dances. For Kizomba, we started  with weekend workshops and then once demand picked up, offered weekly classes and then developed a series progression (ex: Level 1, 2, 3) to keep students moving through the content. I also brought in more experienced instructors from out of town to teach and designed different kinds of classes (musicality, role switching (leads learn to follow and follows learn to lead), dance camps, dance exchanges, etc) to keep people interested.

Here are options for classes:

  • Weekly, right before a dance/social/practica
  • Weekly in groups of 4 or 5 for series
  • Bootcamp over one day (2-3 hours)
  • Bootcamp over several days (weekend or more)
  • Monthly workshops
Whatever it is you do, it has to be done with some level of consistency and regularity.


DEMONSTRATIONS

To get people excited about something, you have to show it off: both the dance and the music. Think of it as running a campaign to educate people AND invite them to learn the dance. Use existing dance channels to start demonstrations and then get creative with other ways to increase awareness of the dance.

Here in Seattle, we demonstrated at salsa dances, fusion dances, bachata dances and clubs that hosted salsa dances. We did this in conjunction with a class that was about to happen so that if there were people interested, we could follow-up and let them know how they could learn the dance.

I was also lucky enough to get cooperation from other DJ's to play occasional kizomba music.

I also organized a flash mob to get people excited about it and have something out in the general public.

REGULAR CHANCES TO DANCE
Once you built up the excitement and have students, they need a place to dance outside of class. The frequency of the social/dance party will depend on how many people will come. All I gotta say is PATIENCE. It takes time for a dance to grow and become something that people go to regularly so don't expect immediate success and celebrate every time you have a chance to dance. Also, be consistent about time and location: regularity and consistency will be key to having the event become more established and more popular.

You can start dances anywhere:
  • At someone's home
  • At a club/restaurant
  • At a dance studio
  • Any rental space that has open space and allows amplified music to be played.
We do all of the above in Seattle. The weekly dances are at a dance studio because these are the venues that dancers go to dance. In other cities, opportunities to dance are in clubs/bars/restaurants. You need to know where dancers go to dance and decide what works best where you are.

It might also be easier to partner with an established dance in the beginning, just to get the word out and then establish an independent dance venue as soon as you can.

Some community members are generous enough to host dances at their homes impromptu and / or organize pop-up events at parks and other places that are fun to dance in. 

Recommended frequency for the dance always depends on the number of people that are coming out to dance. Here is the progression I recommend:
  • Once a month to start
  • Once a week once your numbers can support it
  • Multiple times a week once the numbers can support it
Remember to make it easy for people to remember when the dance is by picking a regular time every month / week.

Here's specifically how I got things started in Seattle:
  1. Monthly Dance at Century Ballroom: thanks to some people who took a chance and others who believed, there's a dance every 1st Friday of the month which is the oldest running Kizomba social in Seattle. We call is First Fly Friday and its a ton of fun and still one of the best parties I have the pleasure to attend. I am a little biased, but ask anyone here, I'm pretty proud of how this one has turned out.
  2. Weekly Practise: this one has morphed quite a bit since it started. I intended to provide another night to help students practise so it started with a very small group at a dance studio. It has since moved several times and changed hands with hosting and purpose. What started out as just practise became a place to welcome new people into the dance and community and its now a full blow social of its own where people bring food and beverage and enjoy the dance. This event started out with a small fee and is now a free event.
After these two things, other socials and parties got started. You can see a full list on the right side of the Kizomba Seattle blog page or on the pinned post on the facebook group page.  

FEE OR NO FEE
I firmly believe that people place more value on things that they have to pay for. 

I also believe that dance should be accessible to everyone and understand that money can be a scarce resource for some people.

There's no good answer to everything so you have to gauge what will work where you are: for your audience and for you as the person who is likely the source for the capital for these events in the beginning.

Seattle has a mix healthy mix of events that you have to pay a cover to enter and events that are free. Other communities just have paid events. Its really what the market can bear and you don't have to have a hand in everything. In fact, you DON'T want that level of control or responsibility anyway.

DON'T FORGET THE DJ
Parties need music so don't forget this one. Luckily, when people get excited about music, there no shortage of playlists out there for you to use and share.

When we started here in Seattle, volunteers would just pull a playlist together to get things started. Then, as things started to grow, different people stepped up to become DJs and are not getting paid to play their music at dances and festivals (how cool is that?!)

Seattle now boasts about three or four homegrown DJs that continue to perfect their craft and even get hired outside Seattle.

Parties need GOOD music.

OTHER CHANNELS TO KEEP PEOPLE INFORMED
As your audience grows, information needs to be provided as well as a place for the community to communicate and share information. Luckily, this day and age is perfect for all kinds of sharing:

  • Blog
  • Facebook Page
  • Website
  • Meetup
  • Mailing List
  • Video Channel
  • Podcast
Kizomba Seattle has a facebook presence, this blog and a Meetup. Use your channel wisely depending on your audience. Facebook by far has the furthest reach here in Seattle along with the blog. 

CONCLUSION
While there's a lot of excitement and wonderful energy at this stage, a word of caution that there can also be not-so-fun things to deal. Make sure you remember to trust yourself: keep your purpose clear and have a good support group close by. Always be your genuine self. 

The FUN parts are soooo much fun because when you experience first times, the shared energy that this brings is so unique. I've been part of first times in other context and its definitely I'm grateful for.

I didn't set out to build a community by saying I was going to be a leader or a money maker or a famous artist. I simply wanted more people to dance with, teach people about the dance and make myself a better dancer. I also wanted to find a way to make a living out of doing all these things and found that this part of my "wish list" I still have to work on. I do caution that if you DO want to make this financially viable, you do need to think BIG and scale up to accommodate that goal.

NEXT UP: STAGE THREE - Continuity
BACK: STAGE 1

Wednesday, August 10, 2016

Starting a Dance Community: Stage 1 - Passion and Goals

This is where it starts: falling in love with a dance and wanting to do something about it.

STAGE 1: Passion and Goals
  • Love the dance 
  • Learn the dance
  • Talk as many people as you can: People who have started communities, teachers, promoters, other dancers, local businesses.
  • Envision what you would like to see in your community and your place in it.
  • Don't forget to create your own support
  • What's your Goal?
Often times these bullet points happen in conjunction with each other but I'm highlighting them because its important for you to really understand the extent to which you're willing to build something. Some people start small, some people go big, everyone's different. 

Me - I was somewhere in between. I started with a small group and then starting thinking bigger and bigger as I experienced more and more success. 

LOVE THE DANCE
This one is obvious but really important because its about falling in love: which isn't dipping your toe in the waters or waiting to see what happens. Its "Truly, Madly, Deeply" falling in love.

Sure, you can start something even if you're not TOTALLY in love with the dance but you'll find that if you want to do anything sustainable, then you gotta just fall into it (or at least find someone who is who can work with you).

For myself, I dance a lot of different partner dances and when I encountered Kizomba, the music and the connection in the dance just took me. Every dance that I love has a connection that I enjoy but this dance just felt so natural and comforting. The quote that I posted on the top of this blog really does express how I feel about the dance. 

"An embrace means I don't feel threatened by you, I'm not afraid to be this close, I can relax, feel at home, feel protected and in the presence of someone who understands me. It is said that each time we embrace someone warmly, we gain an extra day of life."
-Paul Coelho

Love doesn't mean you're an expert. Love just means that this is something that you want to invest in  and have it be a part of your life. If you just want to enjoy it, then perhaps building a community isn't something you want to start doing just yet.

Love also implies commitment, patience and a leap of faith because things do take some time to unfold.

LEARN THE DANCE
I have to stress this one because I've seen people try to start something before they really know about what it is they are trying to share. In some cases this is easy, in some cases this can be a challenge. What I know about starting something and getting other people to follow you is that these two factors are really key to getting other people to join you:

1) Love it SOOOO much that its contagious, and 
2) Know enough about it to be able to grab people's attention

Learning the dance isn't just about the movement but also the music and the culture. You also don't have to be the expert unless you plan to teach it.

DO find the right teacher and find people that you can share the learning with if possible. I was very lucky to have access to someone locally who grew up with the dance and wanted to share her knowledge and had very similar dreams of spreading kizomba. I was also tied in to other dance communities and had good friends in those communities who I knew would also fall in love with the dance. In my case, I found a group of 8 people and for about a year, we met every week for 2+ hours to dance and share what we knew about the dance from youtube and other instructors we met on our travels. It was my Kizomba incubator and while all of these people are not as active as they used to be, they all became staunch supporters and advocates for the dance when I started to create a community around it.

TALK TO PEOPLE
Starting dance communities isn't an original idea because there are dance communities everywhere so why reinvent the wheel?

Dance is not something to keep to yourself because its something that you find joy in with someone else or by sharing it. It will come as no surprise that people who are active or have stature in their communities will be happy to share their stories with you. If not, no big deal, move on and talk to someone else. Don't limit yourself to the dance you specifically want to spread, talk to members of other dance communities and get their perspective on how their dance has grown.

Why talk to people? Well, unless you already have experience starting a dance community, then you need to build that experience somehow, or at least get more data on experiences of others and get fuel for your own ideas.

In this mode you are like an investigative reporter or a researcher. Start anywhere: talk to the dancers, talk to the teachers, talk to the DJ's, talk to the promoters, talk to the club and studio owners. As you start to talk to people, you'll hear their side of how things unfolded and you'll find out who the reliable sources are and who the ego-driven sources are and you'll be able to get what you need which is a sense for how other folks got things started and what to expect.

What's the goal for talking to people? 
  • To get information and help you figure out what it is you want to do. 
  • Understand the scene you're in because each scene is different.
  • Understand some of the challenges you might face in getting your dance adopted by others
VISION: GOALS and ROLES
Don't shortcut the step and keep your goals reasonable. I didn't start out by saying "I want to create a Kizomba Community here in Seattle." There are lots of tools to help you with setting goals and having a vision. They don't have to be grand, just something to start and keep asking: "What do I want?" and "Wouldn't it be awesome if.... " and "who do I want to be?"

I think its sometimes easier to give examples rather than to explain how so I'll share how I got started.

Within a few months of discovering Kizomba my goals were:
  • I want to have more people to dance with.
  • I want to get better at the dance.
  • I want to teach other people about the dance as a way to hook the into dancing.
Wanting to get better drove me to bring instructors to Seattle that I wanted to learn from and opening that up to the other people in the community that were hungry to learn. This also unexpectedly made me a promoter or event organizer as well as teacher. It also created opportunities for people to learn and come together to dance. 

I didn't really understand the part about being a leader in the community yet since things were so new. In fact, the larger vision become short team event related goals that I felt would be fun and help educate people and build a strong community. So in the interim my goals/ wishes evolved to:
  • Bring world class instructors in Seattle
  • Run a Seattle Kizomba Semba Camp
  • Start a Kizomba Seattle Exchange
  • Monthly Kizomba Dance to eventually have a Weekly Dance
  • Practica for students to practice, socialize and for new students to get to know each other and run by members of the community
  • Teacher Conference 
I didn't want to be the one responsible for doing all of these things and some of what I wished for was to have other members of the community get involved with these events. I looked for people who would also want to help and keep that spirit alive so that the community could sustain and feed itself.

In all the roles that I have, I have not been most vocal about being a community leader because I am very sensitive about acknowledging everyone's contributions and grew up with a culture that one does not announce one's own accomplishments. So, its important for me to recognize contributions and for others to do the same. I am very happy to have a community I can be a part of that shares the love of the dance, has a thirst for knowledge, embodies a sense of family and mutual respect and  welcomes new people. I am very happy to have been instrumental in helping others get their start in their own journey to share Kizomba. 

If you are starting a community, then your way of operating and your personal values will inevitably bleed into the community that you create and how you operate. Don't try to set too many rules and let you actions set an example instead. A friend and mentor once told me to remember to remain true to who I am and what I want to represent and not get dragged into other people's realities and baggage. Another mentor also said to make sure to understand the value that I bring and the role that I play in the interactions I have with the different people I come in contact with. This is helps you to focus on your role and goals as you move forward and it will also attract to you, people who have similar values. 

SUPPORT SYSTEM
On your path to building community, you will no doubt encounter people of all kinds. Some who think just like you and some who don't. I've encountered some pretty crazy behavior when I least expected it and some hurt that has taken time to heal.

My point here is not to forget to take care of yourself. In any endeavor, you will need to have some help and a way to energize yourself that is not so tightly entwined with what you are trying to accomplish. So, don't forget to invest time to find keep close to you:
  • Like minded people
  • Mentors who are willing to work with you
  • Something that will help you to reset and balance yourself 
Back to the Overview
Next Stage: STAGE 2 - Spreading The Love 
Final Stage: STAGE 3 - Continuty

Starting a Dance Community: Overview

I've had this conversation many times over with different people who have wanted to introduce Kizomba into their communities. I figured, why not share my story and step by step plan. I'm starting with and overview and will elaborate on each stage separately.

In this step by step plan, there is room for interpretation and adaptation. I do not say this to "hedge my bets" or sound wish-washy. Often when I read a step by step plan, I realize that there are things that might be missing or different for me because of my circumstances. My experience as a project manager has taught me this truth: changes in the plan are ALWAYS inevitable. Think about it, in a venture like this one as you are also learning and growing, how could there not be changes? What's important is having a plan that allows for the changes and adaptations. The plan should also point out unknowns and risks so that you can tackle them as you see fit. Part of the change that the goals you set will also change as results and events unfold. Make sure to check-in with yourself from time to time because its easy to forget who you are and what you want out of your venture into starting a dance community.

STAGE 1: Passion and Goals
  • Love the dance 
  • Learn the dance
  • Talk as many people as you can: People who have started communities, teachers, promoters, other dancers, local businesses.
  • Envision what you would like to see in your community and your place in it.
  • Don't forget to create your own support
  • What's your Goal?
STAGE 2: Spreading the Love
  • Classes for learning
  • A Place to Dance regularly 
  • Getting the dance and music out there: showing off what the dance is like and getting more people interested.
  • A Blog, a Facebook Page, a Video Channel, a Podcast ...
STAGE 3: Continuity
  • How to Sustain the Dance
  • What is Your Role
  • Stay in Touch and Check-in
SUPPORTS: Finances and Other Things

NEXT UP: STAGE ONE - Passion and Goals

Saturday, August 6, 2016

A Retrospective and Many Thanks.... Just Because

I remember the very 1st Kizomba dance I ran at the Century Ballroom in the winter of 2011. It was an experiment to see how many people would actually come to a Kizomba party. Jay and I were just starting to teach classes (back when Halo was still open) and in order to give our students time to dance, we had a with a short practice hour after class. There was no regular social for Kizomba though there were attempts at a monthly gathering in local club/restaurants where possible.

Hallie and Alison suggested that I try hosting a dance just to see who would come. It was a little nerve wracking, hosting my first social. Luckily, things fell into place: Maurycy very kindly volunteer to DJ for the night and I knew at the very least, my group of fellow Kizomba crazies were ready to come and dance and help me at the door. They all helped with details I couldn't even think of: change box with change, stamp, etc. I can't remember what I charged for the door (maybe $5?) but at the end of the night, I officially made $1 after paying back the rental for the room.

Phew!

So exciting and nerve wracking and somehow, it was decided that the Century Ballroom would host a Kizomba Dance on the 1st Friday of every month starting February 2012. I was a little nervous that night but I should have known that things would work themselves out. That first night was a total success: all our students came out, lots of friends and supporters and fellow other dance dancers came as well. All in all a successful kickoff.

The very first 1st Friday Kizomba in East Hall at the Century Ballroom (Feb 2012)

End of the night 1st Friday Kizomba at Century Ballroom
The picture above shows the dancers that remained through the last dance that night. While most people in the picture have moved out of Seattle or just moved on to other things in their life, I think you'll recognize a few faces that are out there still dancing what they love.

There's a great energy that comes with being there first, to set the trail and start something new. I am lucky enough to have experienced that with a great set of friends. Back then 20 people in the dance was a great turnout and it didn't matter that you just danced with the same people over and over all night long.

I also relied a lot on this small group of people that fell in the love with the dance along with me. I believed that if I could just show people the dance, they too would fall in love and keep coming back. Our DJ's  gave their time freely once a month on a Friday night to make sure there was music to dance to. The dancers were just excited to be there and when I started teaching the drop-in lessons, it was never an empty class.

Fast forward to 2016 and we now have an average of 60 at the 1st Friday dance (with the highest number of attendees at 102). There is a Kizomba dance at least once a week. There are 3 studios regularly offering Kizomba classes and 2 others hosting regular Kizomba nights. Monday Night Practica started in 2012 with less than 10 people and is now regularly attended by well over 20 people. This community-run weekly gathering has changed hands and locations many times over the years and has drawn in many new members. DJ's are now paid for their time and even though the number of students for the weekly classes aren't always high, I am still able to teach this dance that I love to help others fall in love with it too.

Many of you who know me know that Kizomba is not the only dance that I love: I also dance bachata and salsa and when I can, dabble in tango, swing and blues/fusion. All these dance communities have great people that have enriched my life. I love to dance. I am proud to say that this Kizomba First Friday night, holds a special place for me because of the wonderful energy that is generates. I suppose its like watching your baby grow up but more than that, unlike any other night (and I could be a little biased), the energy in the room when you walk in the door to dance is always rich with warmth and still remains friendly and inviting with that tinge of that excitement to just make you want to dance.

Some time around 11:30 ish
Last Song of the night (1:30 am end)
I love taking breaks from dancing up in the DJ booth: it gives me the chance to watch the room, talk to the DJ, take some pictures and just soak in the energy on the floor. Last night was no exception. I took pictures during the middle of the night and at the end and as you can see, the number of people did not dwindle at all.

While I miss that first generation of dancers and the excitement of meeting them at this social once a month, the dance itself has never failed to life my spirits and make me smile. The Kizomba Seattle community has grown and somehow, it feels like everyone gives their best energy to keep things alive and well. Not only have we all grown as dancers, there are so many other activities and outings that have been spawned from the friendships created within. The DJ's that have also grown over the years and many of them now play their own gigs and continue to hone their craft. I think its great that the community has always understood that and let the love of the dance override the occasional bumps on the road. Every single one of the instructors and artists that have stopped by Seattle to teach and share Kizomba have said that this family we have is one of a kind and embodies the true spirit of the dance.

It is a blessing that I hope will never go away. The 1st Friday Kizomba nights at the Century Ballroom have always had a great energy to them that I never tire off and am always grateful for.

Kizomba Seattle Love - August 6, 2016


Much thanks and here's to many many more lovely dance nights <3

Tuesday, August 2, 2016

August yo! Here's what's up!!

Its been a pretty mild summer so far and now we're officially in the best time of year to be in Seattle. Make sure you spend a few minutes everyday enjoying the sunshine and don't forget come out and dance.

Here's what we have for August....

Aug 5 - First Fly Friday at West Hall; Drop in lesson at 9pm Dance 10p-1:30a (Cover $16, Dance Only $10) with DJ Emanuel
Aug 11 - 2nd Thursday at West Hall with DJ Jay 9:30 - 1:00a (Cover $9)
Aug 12 - 2nd Friday KiZouk at Salsa Con Todo 9pm - 10pm dropin; dance 10pm - 1:00am (mix of zouk and kizomba)
Aug 20 - 3rd Saturday Late Night at West Hall with DJ Isaias 11p - 1:30a (Cover $7, $13 joint cover with All Vinyl Salsa in Main Ballroom)
Aug 25 - 4th Thursday at West Hall with DJ Jay 9:30 - 1:00a (Cover $9)
Aug 26 - 4th Friday KiZouk at Salsa Con Todo 9pm - 10pm dropin; dance 10pm - 1:00am (mix of zouk and kizomba)
Aug 27 - Saturday Late Night Kizomba at SCT 11pm - 4am

WEEKLY CLASSES, PRACTICAS, BOOTCAMPS
* Weekly Practica on Mondays at Metropolitan (please check group page for the latest) 8p - 11p
* Kizomba Lab Aug 11 - Sep 1 with Frances, Jay register at www.centuryballroom.com - CANCELLED September session will be Kizomba 1.
* Kizomba on Wednesdays at 7pm and 8pm in Salsa N Seattle with Mario with a weekly practica following.
* Kizomba Semi-Privates with Dennis (contact Dennis Richards directly)
* Kizomba at Salsa Con Todo with Galina (check www.salsacontodo.com)

If anything comes up at the last minute - this group page feed will have the latest.
Please post Kizomba events to Hurry Out (www.hurryout.com) and check out www.kizombaseattle.com

Tuesday, July 12, 2016

CANCELLED Kizomba/Urban Kiz/Semba Tricks with Freezy Bruce and Laura July 30th, 2016


UPDATE 7/27/16; Workshop is CANCELLED We apologize for the inconvenience and hope this gives you enough time to make other plans. Due low registration the workshops with Freezy and Laura scheduled for Sat July 30th are being cancelled. In the meantime, Freezy will be still be visiting Seattle so come and dance with him at the SCT Social on Sat July 30th. People who have registered will be receiving refunds through paypal. Thanks for your understanding - Happy Dancing!

ABOUT THE TEACHERS:

Originally from Italy Laura Iannettone "Kizombella" began her ballet dance training with the Academy of Margherita Veneruso at the age of 6. She continued her studies with the modern dance Rome Academy of Steve La Chance and Andre' De La Roche. At the age of 16 she was invited to join Alma Porrazzo Academy, performing for locals theaters in Naples, where she achieved her choreographer and modern dance diploma. In her twenties she started to following in love with Latin dances"salsa" performing for the Mambo Salsa Band in Ireland. In 2003 she decided to move to California for more opportunities, that's when she met kizomba. In 2011 Laura was trained from a very good friend William walker "Oakland " who traveled many years to get his best knowledge of kizomba. In 2013 she was inspired by and trained with Rico kizomba Suave from London who is one of the most prestigious figure of traditional kizomba.

Freezy Bruce is a brilliant dancer and international Kizomba teacher with strong roots from heart of the African and Caribbean culture. He began as a member of a street dancing crew, and soon after became passionate about Dance Hall. He studied Kizomba and Semba with the French kizomba champion of 2010, and began developing his own unique style. In 2012 , he performed along with other instructors at the Zenith in Paris as part of the singer Elizio's dance team. Freezy is also a host for events in Bordeaux, and Metz in France as well as an organizer for the Lovkiz Brussels Festival in Belgium,and Paris. He has taught all over Europe and North America. His teaching and dance are driven by the belief that one has to open their mind and free their abilities to understand the music and master musicality and fluidity.

Monday, May 23, 2016

Kizomba Weekend with Freezy Laura: Show Me What U Got June 18, 2016

Let's Welcome back to Seattle: Freezy Bruce and Laura Lannetone on June 18th, 2016.

Show Me What " U" Got U'rban Kiz Workshop is a three hour intensive for Urban Kiz meant for the experienced dancer. There are three hours of workshop are specific for intermediate / advanced students. This is one single intensive workshop broken into three 1 hour chunks. You still have the choice of taking one or two hours workshop. but its best to take the three hours to get the most out of it: to understand the spirit and the meaning of the workshop.
SCHEDULE
SAT Jun 18 at the Century Ballroom in West Hall
12:30 - 1:00 registration
1:00 - 2:00 1st hour
2:00 - 2:30 break
2:30 - 3:30 2nd hour
3:30 - 4:00 break
4:00 - 5:00 3rd hour
5:00 - 5:30 practice/wrap-up

Don't forget 3rd Saturday Late Night with DJ Jim Renn follows from 11pm - 1:30am in West Hall.

REGISTER NOW:
Workshop Payment (Service Fee Included)
Please type your full name:
Lead or Follow?

What is Urbankiz? [Freezy's words]
A new interpretation of the kizomba steps, the music of our generation ( creativity , musicality, body movement , fluidity , playing with the music and steps). If you want to know more then come and see by yourself!

Why Show me what ' U ' got?
This workshop will take ' U ' to build your confidence, your style, your skills, your Lead/Follow and ATTITUDE. This is a good opportunity to strengthen your basics to be creative and finally to start to build a real kizomba dancer who ie nont afraid to express themselves.

Show me what ' U ' got will be the first step of your dancing Freedom. Students not just be learning to be better dancers, they are also going to know what to stop learning!

STOP: BEING SYSTEMATIC ,
STOP:USING THE SAME ROUTINE FOR EACH EVERY SONG
STOP:DOING SAIDA TO SAIDA TO SAIDA TO SAIDA
STOP: THINKING ABOUT THE NEXT STEP
STOP: ANTICIPATING AND BACKLEADING
STOP... STOP....STOP....STOP...STOP...!

Freezy has designed the workshop to help dancers be free and create. Learn how to manage the weight, stay in balance and listen to the Master (music) to open your mind's hidden drawers on the dance floor!

Teachers: Freezy Bruce and Laura

Sunday, May 1, 2016

MAY Happenings for Kizomba Seattle

Welcome to May with Spring officially here which means summer is not far behind! Here's what's up in Seattle for Kizomba.
May 6 - First Fly Friday at West Hall; Drop in lesson at 9 Dance 10p-1:30a (Cover $16, Dance Only $10) with DJ Mary
May 12 - 2nd Thursday at West Hall with DJ Jay 9:30 - 1:00a (Cover $9)
May 13 - 2nd Friday KiZouk at Salsa Con Todo 9pm - 10pm dropin; dance 10pm - 1:00am (mix of zouk and kizomba)
** May 13 - 15 Seattle Bachata Kizomba Festival at Salsa n Seattle (www.seattlebachataKizombafestival.com) **
May 21 - 3rd Saturday Late Night at West Hall with DJ Kevin Boyle 11p - 1:30a (Cover $7, $13 joint cover with All Vinyl Salsa in Main Ballroom)
May 26 - 4th Thursday at West Hall with DJ Jay 9:30 - 1:00a (Cover $9)
May 27 - 4th Friday KiZouk at Salsa Con Todo 9pm - 10pm dropin; dance 10pm - 1:00am (mix of zouk and kizomba)
May 28 - 4th Saturday Late Night Kizomba at SCT 11pm - 4am
WEEKLY CLASSES, PRACTICAS, BOOTCAMPS:
* Kizomba Bootcamp (part of the Seattle Bachata Kizomba Festival but can be paid for separately) on Fri May 13
* Weekly Practica on Mondays at Dimension Apartments or Metropolitan (please check group page for the latest) 8p - 11p
* Kizomba 1 and Kizomba Lab (NEW COURSE!) with Frances and Jay: May 19 to Jun 9
* Kizomba on Wednesdays at 8pm in Salsa N Seattle with Mario with a weekly practica following.
* Kizomba Semi-Privates with Dennis (contact Dennis Richards directly)
* Kizomba Immersion with Galina Mar 8 to May 12 Tuesdays 6-8 pm
* Kizomba Workshops every 4th Saturday kizomba workshops 6-9pm
If anything comes up at the last minute - this group page feed will have the latest.
Please post Kizomba events to Hurry Out (www.hurryout.com) and check out www.kizombaseattle.com